Coinciding with the 2018 Melbourne Winter Masterpieces exhibition presented by the National Gallery of Victoria, MoMA at NGV: 130 Years of Modern and Contemporary Art, an extensive program of events was presented by leading Melbourne organisations and communities exploring culture, politics, business and the everyday experience as seen through the eyes of New Yorkers and Australians.

Finding the Field was a collaborative exhibition with Nathalie Thomas (creator of nattysolo.com) and the Women’s Art Register at True Estate, Brunswick in April 2018. Nat responded to the contentious re-staging of the National Gallery of Victoria’s 1968 exhibition, The Field, in The Field Revisited, at the NGV in 2018.

As part of the exhibition Unfinished Business at ACCA a group discussion considered a number of questions: What is the 'Unfinished Business' of the Women's Art Register? Is the Women's Art Register undervalued and under-recognised by major institutions? How can we (re)position the Women's Art Register's unique place in Australia's history as a critical force in contemporary politics and culture?

Conspicuous Presence at Trocadero Artspace makes visible the work of five Australian women artists, all Women of Colour. Through the heightened material presence of their work, the artists’ deploy conspicuous methods of commanding our attention; accentuating materiality, embracing a highly charged and embodied physicality, and gleaning our sensory reactions through their processes of making.